AmpliTube Jimi Hendrix™
is a cooperative effort between Authentic Hendrix and IK Multimedia.
Authentic Hendrix was founded in late 90s, by Al Hendrix and his
daughter Janie to curate and promote Jimi’s extensive recorded legacy.
Jimi Hendrix was fundamental in the development of modern guitar
amplification and guitar effects and marked the evolution of modern
electric guitar sound. In only the four years between 1966, when he
started his rehearsal sessions with the Jimi Hendrix Experience, and
1970, when he died in London on September 18 at the age of 27, he
contributed to change the way music was made and electric guitar was
played, leaving a permanent mark on the generations of guitarists and
musicians that followed. He is constantly named by guitar and music
magazines as the number one guitarist of all time.
The Jimi Hendrix rig
Hendrix’s sound is a unique mix of high volume, feedback control and a
exclusive, personal usage of guitar effects which was a breakthrough
for its time. By then Hendrix was one of the first guitarists to
experiment with the full expressive possibilities of electronic
effects, which were a fundamental part of his sound. Electronic effects
were a technological novelty in the 60’s with semiconductor electronics
in its infancy and the very first commercially available germanium
transistors introduced in the mid 50’s gradually replacing tubes in the
next two decades.
IK has gone the extra mile in accurately modeling all the most
important components of the Hendrix rig not only using proprietary
AmpliTube 2 DSM™ (Dynamic Saturation Modeling) technology at its best,
but collecting all the original vintage stomps, amplifiers and cabinets
and fine tuning the software emulations by ear with accurate
craftmanship to achieve incredibly realistic modeling results. A sound
that will bring you back to the Woodstock era.
AmpliTube Jimi Hendrix offers the same 2 series/parallel rig structure
of AmpliTube 2 and ensures a complete and flexible rig structure that
can be used not only to recreate the authentic tones of popular Hendrix
tunes but since the modeled gear in this product is in such high demand
by guitarists, AmpliTube Jimi Hendrix is a fantastic tool for many
styles of modern rock music from hard rock to punk, alternative,
progressive and pop.
9 Stomp Effect Models
+ Wah 46
Based on Vox® Wah V846
The Wah 46 is a model of the most famous wah-wah used by Jimi Hendrix
which became his signature sound in masterpiece tunes like “Voodoo
Child.” Although the original had no auto-wah features, this additional
functionality has been added for a more convenient usage when played on
a computer. This is considered to be one of the best sounding wah-wahs
of all time
+ Uni-V
Based on Univox™ Uni-Vibe™
This was a chorus/rotating-speaker simulator that was introduced in
1969 and used predominantly in live performances. This created a
swirling effect quite similar to the Leslie® speaker cabinet but with
the addition of speed control. This effect was employed on tracks such
as “Hey Baby (The Land of the New Rising Sun),” “Earth Blues,” and
“Machine Gun.” A vintage Uni-Vibe™ is in such high demand it sells for
over a thousand dollars, if you can even find one.
+ Fuzz Age
Based on Arbiter® Fuzz Face®
This was the main fuzz box he used, a classic germanium transistor fuzz
effect. Often combined with a wah, this effect produced permanent
sustain and endless distortion. The original Fuzz Face® is one of the
most collectible fuzz boxes ever.
+ Octa-V
Based on Roger Mayer™ Octavia
This effect was first used on “Purple Haze” and “Fire.” It is a fuzz
box with frequency-doubling circuitry that produces a second note an
octave above the fundamental note.
+ RightFuzz
Based on Mosrite™ Fuzzrite®
A highly sought-after, rare fuzz box, it was one of the first
commercially available floor effect units, making its first appearance
in 1966. It doesn’t get any more vintage than this when it comes to
stomp pedals.
+ FuzzOne
Based on Maestro® FuzzTone
Hendrix began using this fuzz box while playing in New York City before
founding the Experience. Its sounds can be heard in the enormously
popular Rolling Stones song “Satisfaction.”
+ XS Fuzz
Based on Roger Mayer™ Axis fuzz
Jimi used many fuzz box units like this vintage model which adds to the
powerful sound palette that AmpliTube Jimi Hendrix can offer.
+ Class Fuzz
Based on Roger Mayer™ Classic fuzz
Jimi used many fuzz box units like this vintage model which adds to the
powerful sound palette that AmpliTube Jimi Hendrix can offer.
+ Opto-Tremolo
Based on Fender® Opto-Tremolo
4 Amp Models
+ British Lead S100
Based on Marshall® 1959 JTM100™ Super Lead
This is modeled on the Classic British 100 watt amp Jimi is generally
associated with. Jimi often used multiple amp heads (up to 6) looping
them together to get more power, a setup that can be recreated in
AmpliTube Jimi Hendrix because of its dual rig capability.
+ American Vintage B
Based on Fender® Bassman®
The design of this amp influenced many of its successors and was used by Jimi in the studio recording of “Voodoo Child.”
+ American Vintage T
Based on Fender® Twin Reverb®
This was Jimi’s amp of choice during ’65 through ’66. It included a
spring reverb and was equipped with 2x12” J.B. Lansing® speakers.
+ American Vintage D
Based on Fender® Dual-Showman®
Hendrix acquired this 100 watt amp in 1968 and used it in ‘68 and ‘69
with the Experience tour together with an assortment of other amps. The
amp sported a built-in spring reverb unit and originally came with
2x15” J.B. Lansing® speakers.
7 Cabinet Models
+ 2x12 Open T J120
Based on Fender® Twin 2x12” equipped with J.B. Lansing® D120F
+ 2x12 Open SL
Based on Silvertone® 2x12”
+ 4x12 Closed 25 C
Based on Marshall® 4x12” equipped with 25W Celestion™
+ 4x12 Closed 75 C
Based on Marshall® 4x12” equipped with 75W Celestion™
+ 4x12 Closed J120
Based on Marshall® 4x12” equipped with J.B.Lansing® D120F
+ 2x15 Closed B J130
Based on Fender® Bassman® 2x15”
+ 2x15 Closed D J130
Based on Fender® Dual Showman 2x15” equipped with J.B.Lansing® D130F
5 Microphone Models
+ Condenser 87
Based on Neumann® U87
+ Condenser 67
Based on Neumann® U67
+ Condenser 12
Based on AKG® C12
+ Dynamic 57
Based on Shure® SM57
+ Ribbon 160
Based on Beyerdynamic® M160
4 Rack Effect Models
+ Rotary Speaker
+ Stereo Reverb
+ Parametric EQ
+ Tube compressor
System Requirements
* Power PC based Macintosh®
Minimal: 866 MHz G4 processor, 512 MB of RAM, Mac OS X 10.4 or later.
Suggested: dual 1.25 GHz G4 or G5 processor, 1 GB of RAM, Mac OS X 10.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
AmpliTube Jimi Hendrix™ RTAS requires ProTools 7.0 or later.
* Intel based Macintosh®
Minimal: 1.5 GHz Intel Core Solo processor, 512 MB of RAM, Mac OS X 10.4.4 or later.
Suggested: 1.66 GHz Intel Core Duo processor, 1 GB of RAM, Mac OS X 10.4.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
* Windows®
Minimal: Pentium 1GHz / Athlon XP 1.33 GHz, 512 MB of RAM, Windows XP.
Suggested: Pentium 2.4 GHz / Athlon XP 1.33 GHz, 1 GB of RAM, Windows XP.
Supported Plug-in formats: VST, RTAS.
AmpliTube Jimi Hendrix™ RTAS requires ProTools 7.0 or later.
Registration to this Board is free!
Click Here And Regidter Only One Minute. What this
"ApadanaGroup"?This site is a blog which contains news & downloads of
latest software's, movies, games, music and much more. After Registeryou
will be able to see more downloads and you are also able to post comments,
add new articles, send email to other members and much other.
 Bookmarks This Post And Share It With Other:
Download Box is hidden .You must register before you can view this box and download link. |
|
|
|
Users: 0
Mexico
| Guadalajara
LoginPanel
